The storyboard example shown here is by Ling Zhou as a class assignment in his first college quarter. Each frame of this classic storyboard shows parts of the Heroic Journey narrative.
As we look at each picture in succession we create a narrative in our mind of what each image means and what the progression of the story indicates. In other words, we make something up to make sense of the sequence of frames.
What is interesting about this exercise is that each of us will create a different story to explain the frames. Without words and only images we impose a meaning on the storyboard that comes from our own experience.
When I started working with the Lightbox Method I pictured in my mind how animators and film artists will lay out a storyboard. Each frame is a snapshot of an important event in a story that logically flows from one action to another. I realized that is exactly what I am doing as a writer, whether I am composing a fictional or non-fictional project. Laying out my story in frames just seemed to make sense.
The trouble is, I am no artist like Ling Zhou, and I don’t want to make a film. I want to write a story. Artists will tell me a picture is worth a thousand words, but there are emotions, smells, and taste I can describe in words that an artist cannot.
That’s when I began to use my own frames, but instead of pictures, I used words. I briefly described what the main character experienced but without interpretation. I just wanted to see the story through the characters’ five senses. Like the frames illustrated on the left, the description was left open for interpretation. I wanted to see the story before I tried to understand what it was all about.
Moving from frame to frame, I told in brief, sketchy notes what was happening, moving logically through the actions. Free from interpretation, I just sketched out in words what I saw. We can do this with a real event as well. We might be surprised what we miss while trying to impose an interpretation on the events we witness.
As I worked I began to realize that I can’t really begin to understand the story until I have seen the entire thing, frame by frame. Just one frame could change the meaning of the story. If I missed a frame or got them in the wrong order I could misunderstand the story completely.
This is the first task of the Lightbox Method: to see the story without interpreting or imposing your desires upon it. This very simple idea is a powerful first step in paying attention to the world around us. It sounds simple, yet I found reporting what was actually happening very hard, because I wanted to impose on the story my point of view. When I realized I was imposing an uninformed point of view on each frame, it became easier to suspend my judgments until the end.
There is so much more to the Lightbox Method, of course. If you learn this method you will discover how to ‘light up’ each frame with a depth and meaning that will be surprising. Once you have done both, you will find it difficult not to write with passion and purpose.
You can take the first step now and start sketching out your story with frames, moving from one frame to another and just see where the story will take you. Go to www.lightboxmethod.com and download the free introduction tutorial to get started.
Written by John.Wiuff
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